경량 러닝화

판정 보류 영상에 얼굴이 잡히지 않아 대조할 수 없습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a young adult woman with an athletic runner's build, calm and composed demeanor, dark hair tied back, dressed in dark athletic wear. 100% match.
@Image2 — the product: 네이비 블루 컬러, 화이트 소재 밑창, 측면 프로파일이 돋보이는 모던하고 스포티한 디자인의 경량 러닝화. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for facial consistency only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only (face). No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 30 cm long and 11 cm wide — roughly two open hands' length end to end, sitting low on the foot. It must never look larger than her forearm.

LOCATION:
a wide, sunlit park running trail lined with trees and open sky, with a paved path stretching ahead under natural daylight.

FIRST FRAME:
0.0s — front-camera selfie framing, the person already laced and worn on both feet as she jogs, looking into the lens mid-thought as if starting a message to a friend.

ACTION TIMING:
0–2.5s — Selfie framing, the person holds the product up to the lens with both hands, no separate control to operate — the shoes are already on and laced, both hands free and swinging naturally with her running stride
2.5–4s — Her hand sweeps across the lens; when it clears she is already wearing the product, cut hidden inside the sweep.
4–6.5s — She stands back into a wider frame, steps once toward camera, then shifts her weight onto one foot, revealing the soles striking the paved trail heel-to-toe in a steady running rhythm, flexing at the forefoot with each push-off
6.5–9s — The camera drops to her feet as she turns them side to side, weight shifting, proving the fit in a wide, sunlit park running trail lined with trees and open sky, with a paved path stretching ahead under natural daylight.
9–11s — Tight close-up on her stride stays smooth and even with no limp, wince or slowdown across the run, and she keeps an easy, unstrained pace the whole time, held steady before pulling back.
11–15s — She steps back up into a centred standing pose, one foot slightly forward, the product held in frame as her hero pose. She lands the closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2.5s — "이거 신고 진짜 10km 뛰어봤어요."
2.5–6.5s — "근데 발이 하나도 안 아픈 거예요, 진짜로."
6.5–9s — "발목까지 편한 느낌 그대로 있잖아요."
9–15s — "이 정도면 러닝화 그냥 이걸로 정착해도 될 것 같아요."

PERFORMANCE:
LINE_1 — She wants to open with proof, not a claim: she looks down at the shoes mid-stride with a small satisfied breath.
LINE_2 — She wants the listener to feel her own surprise land on them: eyes widen slightly, voice lifts on "진짜로" as she shakes her head lightly.
LINE_3 — She wants to hand over a concrete detail: she glances toward the camera briefly, tapping near her ankle with one hand while still moving.
LINE_4 — She wants to close with a settled, personal verdict: a small confident nod and the faintest smile, tone dropping to relaxed certainty.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The upper is a lightweight woven mesh in navy blue, flexing and creasing naturally at the forefoot with each stride.
- The white sole is a molded foam midsole, compressing slightly under heel-strike and rebounding as the foot lifts.
- Laces and side panels stay fixed in shape; the side profile silhouette holds its structure even while running.
- NEVER: the sole never turns rigid or glass-stiff and never leaves visible ground marks or skid trails.
- Scale is fixed: about 30 cm long and 11 cm wide — roughly two open hands' length end to end, sitting low on the foot. It must never look larger than her forearm. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Steady footfalls on the paved trail, light breathing, faint wind and birdsong from the open park, and her spoken lines carried clearly on top as the loudest sound in the mix.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed as a duplicate, or multiplied — the worn pair on camera is the same single unit shown in hand at 0s.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the hand-held intro and the closing hero pose; eyes drop to the product only during the rotation, the wear reveal and the foot-turn close-up.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
A gimbal-steady camera runs alongside her at matching pace, tracking smoothly with no shake as she jogs down the trail. This applies to the whole clip and supersedes the register above wherever the two disagree.

PROPS:
none